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Concert for Shakti foundation with U shrinivas,
U Rajesh and Loy Mendoza.
These scanned images are very hi res so you can enlarge them to view
them if you click on them.



Indian Telegraph 06 08
BICKRAM GHOSH & PETE LOCKETT PLAN NEW DRUM CLINICS AND MAKE A BANG WITH
AN ELECTRIC ALBUM.
The busiest tabla player around just got busier. While
he missed legendary drummer Steve Smith’s India tour in 2007 with the
groundbreaking band Vital Information, tabla whiz Bickram Ghosh is all
set to host countrywide percussion workshops with Smith, come the
year-end. Bickram and Smith will also find some able support in their
long-time cohort, composer-percussionist Pete Lockett; resulting in a
never-before trio clinic featuring the three drummers.
“I couldn’t attend any of Vital Information’s India
concerts last year. But when Pete introduced me to Steve in London in
April this time, I was surprised to find that his iPod contains the
Rhythmscape album!” smiles Bickram. Indian rhythms have long been
Smith’s research subject — a serious student, the ex-Journey drummer is
known not just to dabble but go roots-deep in any percussion culture he
studies — and he is one of the finest jazz-fusion drummers to fuse this
influence with his sound.
The same goes for the 007 percussion arranger Lockett,
a diligent student of the tabla for over a decade now. That makes
communication easier for Bickram. “Most drummers from a jazz/rock
background don’t really know the finer points of Indian music. But Steve
knows my music and has a lot of respect for our heritage. Pete, on the
other hand, is maturing into as good a tabla player as anyone,” says
Bickram. The first step is to form the drummer trio; the next, to make a
musical statement with that project.
The three expect a packed tour schedule: Smith is an
in-demand clinician for Zildjian cymbals and Sonor drums worldwide,
while the UK stage can be handled by Lockett’s agents. “I’ve been
composing for projects and films over the past five years. So this is
one of the most exciting things to do in the playing mode as a
performer, for me. As a tabla player, I’m in good form. I feel I should
utilise that to the fullest,” says the percussionist.
Purists who have been missing Bickram’s classical avatar of late will be
glad to get their hands on a dozen or so albums to be released in the
next few months, featuring him on tabla with top rung.classical
maestros. But first comes the debut album from Bickram’s new project,
Electro-classical. A “parallel act” to Rhythmscape, this group features
Pratyush Banerjee on sarod, Rajesh Vaidhya on electric veena and Amyt
Dutta on guitar, along with Bickram on tabla and percussion and V.
Suresh on ghatam. “I feel it’s a different sound from my kitty; one
where electronica turns a corner with a personal touch, yet the music is
classically driven,” he explains. The eponymous album by
Electro-classical will be released on Music Today in June.
Arka Das
(India Statesman 06 08)
Pete Lockett takes a break from
composing for the James Bond film The Quantum of Solace to visit Kolkata
From a distance he looks like a member of a biking gang in America or
Australia and his tattoos make the audience forget his achievements.
Pete Lockett has been travelling to India frequently and his last visit
was to the premiere show of Incredible Hulk at Inox, Elgin Road. Almost
on time, he entered with Bickram Ghosh, both dressed down for the
occasion. Soon after his arrival a journalist from a television channel
started asking a list of questions she had prepared eating starters ~
‘How does it feel to be in Kolkata’, ‘Are you planning to score for
Bengali films’, ‘Which is your favourite character in Hulk’ and ‘What’s
so great about the film’… Attention soon diverted towards the
‘celebrities’ who had already gathered. Lockett is working with Bickram
Ghosh but he is also working on several other projects, including the
next James Bond film ~ The Quantum of Solace.
He will be playing the drums in the Bond film but the rest is hush-hush.
“I have started working on the project but my other commitments keep
taking me across the globe. For a month I have worked on the soundtrack
and once back, more time will be devoted towards it.”
Lockett cannot be called only a drummer. A small list
of instruments he plays includes the tabla, mridangam, kanjira, ghatam,
dholak, naal, bhangra dhol, darabuka, bendir, frame-drums, congas,
bongos, timbales, berimbau, Nigerian Udu, West African djembe, Japanese
taiko, Western drumset and many “weird and wonderful percussion effects”
such as waterphones and spring drums, along with many strange percussive
objects built and customised by him. He also works extensively with
electronics and samplers, both live and in the studio, using samplers,
effects units and live electronic looping to create densely alternative
percussion fabrics.
The musician has toured and recorded with include a
few of the most respected artistes in the industry ~ Björk, Peter
Gabriel, Robert Plant, Bill Bruford, Jeff Beck, David Torn, Vikku
Vinayakram, Selva Ganesh, Ustad Zakir Hussain, The Verve, Steve Smith,
Chris Potter, John Spencer Blues Explosion, David Holmes, Ganesh
Kumaresh, Michael Nyman, Natacha Atlas, Texas, Lee Scratch Perry, Primal
Scream, Kai Eckhardt, Schlomo, Ed Mann, Michael Shrieve, Edwyn Collins,
Damien Rice, George Brooks, Trevor Jackson, Craig Armstrong, John
Bergamo, Kadri Gopalnath...
“People know what I do and what I am good at. I generally play solo and
execute projects according to my sense of music. Rarely do directors or
producers interfere with my work.”
Pete has worked in virtually every field of music
conceivable, both live and in the studio, from pop and rock, to jazz and
the avant garde, from traditional Carnatic and Hindustani music of north
and south India to traditional Japanese taiko drumming. He has
also worked extensively in the film industry. Pete arranged and recorded
all the ethnic percussion for the recent 007 hit, Casino Royale and can
also count the three previous Bond movies ~ Die Another Day, Tomorrow
Never Dies and The World is Not Enough ~ amongst his credits, along with
Hollywood blockbusters, City of Angels (Meg Ryan), The Insider (Al
Pacino), Plunkett & Maclean (Robert Carlisle), The Bone Collector, (Denzel
Washington), Amazing Grace, (Albert Finney), The Quiet American (Michael
Caine), Moulin Rouge, (Nicole Kidman), and the Guy Ritchie film Snatch.
His stint in the Indian film industry includes Sivaji (Rajini Kanth).
“What I have done need to reflect my integrity as
percussionist. I have come from a multicultural background and this
makes me look at music slightly differently. When you cook a dish
frequently, it doesn’t always taste the same. Similar is the case with
music...” He has several projects up his sleeves, one involving Bickram
Ghosh and his father. Speaking about Hulk, he says, “I have mixed sound
effects quite well and used the kanjira, tabla and the Japanese taiko at
proper places.” He has three albums lined up for this year ~
Taalisman with guitarist Amit Chatterjee, Journeys With The Master
Drummers Of India featuring Vikku Vinayakram and Re-Percussion with
Bickram Ghosh.

NDTV
Good Times 2008; Pete & Bickram Ghosh
In the world' music
stopovers, this duo virtually live on beats per minute. One is a drummer
from the United Kingdom and the other is a percussionist from the heart
of the United States of West Bengal! Say hello to the incomparable
Bikram Ghosh and Pete Lockett!
Frankly, this rip roaring pair needs no
introduction. So animated is their musical camaraderie, that they will
go to the end of the world, if they must to shift rhythm to an
overdrive. Using every part of their body to create what they call –
'beats', is a peak pleasure for their listening audience. Now Pete goes
for exotic-looking world instruments that speak like a linguist while
Bikram, lets his tabla do the talking. And when they jam, Fusion gets a
‘you gotta hear it, to believe it’ vibe!
A spectacular drummer, Pete says, “Definitely the
deepest of all the percussion traditions! I've looked at it and it's
immense, the amount of rhythmic development there's been over the
centuries with in the Indian sub-continent, certainly more than anywhere
else in the world.
For me as a percussionist, it's just such a rich
reservoir of rhythmic information.”
His partner-in-arms is the son of the illustrious
tabla maestro Shankar Ghosh. In his ten-year career, Bikram has
performed with the greats of Indian classical music like – Ravi Shankar,
Ali Akbar Khan, Amjad Ali Khan, Balamurali Krishna, Kadari Gopalnath, T
N Krishnan among others. Says the tabla maestro who played the
title track of the late George Harrison's album Brainwashed,
“I've always had interestingly a juxtaposition happening musically or
culturally in my upbringing.
When I was in school I was
part of a band called Satellites. I was playing conga and stuff, after
that I would go directly from school to Bade Ghulam Ali Khan's house.
Munawar Khan Saheb, a great singer was my mother's teacher, I used to
play with them to the great kayals and tumris!.
So this juxtaposition has led me to a lot of work
currently which I'm doing, which has led me also to enjoy collaborative
work. It has inspired me to check out a variety of music.”
Like his venture with Pete.
He agrees, “We've been doing lots of shows together, some big shows in
all the cities –
Delhi, Mumbai, Chennai,
Kolkata. But the two big projects that are on are – Sanef and
Repercussion.
On their fantastic chemistry, Pete remarks:
“Working with Bikram is really interesting, besides it is a lot of fun.
It's an amazing challenge and there are lots of elements to it. There
are certain things that happen where we'll just be improvising and we'll
change it at the same time into something completely different for no
apparent reason! It is a very common thing when we are playing
together.”
Carry on blokes...
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